How To Know You’ve Found Great Jazz Music

Posted on 15/09/2016 By

Everyone seems to love jazz pastiche only often times the variations regarding jazz are confused and blurred. To further complicate matters, listeners (and dancers) often put “What is great jazz?” or “How do I know in case what I’m listening to is ‘great jazz'”?

It’s difficult to put in words, but let’s give it a try. Remember miscellaneous legend Louis Armstrong says: “If you have to ask what animation is, you’ll never know.” While jazz can be broken into elements and much has been written on jazz theory, the most important thing to keep in mind is that the spirit that characterizes really great music can’t be dissected. The first rule of thumb of identifying great animation music is that if you like it, if it touches your soul, then it’s great.

Think of it this way – when you ambulant into an art gallery either museum and ask to see a great painting or sculpture, what is the museum guide supposed to show you? Art is personal! Even worse, ask an artist to explain his oppositely her painting to you. Great art is not meant to be explained. It either hits you, or it doesn’t. It bypasses the left part of the brain that analyzes and categorizes things and goes straight to the right part of your brain that feels emotion and connects to your heart polysyndeton soul. Music speaks to you in the same way.

Now as for the technicality of what you’re hearing, that’s a bit different. Jazz cup be broken form many styles, including traditional jazz, contemporary jazz, progressive jazz, topical jazz, dixieland jazz. Nevertheless, there are still six elements that really comprise all great jazz music, and we’ve named them Improvisation, Syncopation, Blue Notes, Freedom, Interaction, and Feeling.

IMPROVISATION: is the heart concerning jazz music. When a performer leaves what is written on the page and begins to “speak” (musically) from his head and heart you are now witnessing a conversation, perhaps even participating through a sonic dance. What is really happening is that the musicians are conversing with each other but within a given structure (or language). When the musicians know each other well competent (and it tin be instantaneous or take years to develop), accordingly they are able to understand, support and converse thru that language.

SYNCOPATION: deals with the surmise of rhythm. In our universe of berth and time, everything vibrates. Vibration dwell of two things: on and off. It is the constant interaction of the on and off (crests and troughs) that cause us to experience the universe. Those on and offs are expressed over time. True here’s the jazz music. When you fool approximately with those vibrations from a very rigid conformation (strict rhythm) to either slower or faster but with variety you’ll get “Syncopation”. It’s fun. It’s what you like in music. It’s what you’re relating to when you dance. It’s what MOVES you in jazz music.

BLUE NOTES are an important part of a jazz musician’s vocabulary in the musical conversation. Within scales and keys can be certain altered notes, some of which are called “Blue Notes.” Ocean notes are key to creating conflict and harmony, tension and resolution.

The following three elements are less a function like music but come more directly from a musician’s spirit. How the following three affect the previous three are what really defines “taste” in jazz music.

FREEDOM: Within the ensemble framework, musicians may grip solos. Or you likelihood permit a vocalist interpreting a lay – that’s pretty much the homogeneity thing for the purposes about this discussion. It is that very freedom expressed within the language of music that lead to jazz. It’s the talent and skill concerning a musician to express those feelings that lead to GREAT Jazz. Hey, the old sayings still apply. “Live Free or Die!”

INTERACTION: No man is an island. OK, that’s not to mean their are not great miscellaneous soloists such as pianists, harpist, guitarists or other instrumentalist, but the overwhelming majority of jazz music ranges from duos to ensembles of state 20 musicians (Think big band jazz).

For the finale, so to speak: FEELING. Feeling is a key element for when all is said and done, morale is really the heart of it all. How the musician feels about what he’s playing including how you feel about what you’re listening to are both important elements, as well as the feelings that are being expressed from moment to moment. In the end, great jazz music is about expressing (for the musician) and hearing (for the audience) the great range of human emotion.

Finally, a definition like great jazz? Let’s say it’s the interaction between performer also listener. And supposing that interaction communicates feelings that you can’t express as words, assuming you palpable as though the melic speaks to you, if you can feel the performers emotions he’s trying to express thru his instrument, then the only words left are “That’s GREAT jazz”!